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Rafael Santi is a well-known artist of the Renaissance era, who wrote in his short 37 years, many paintings known to the whole world. The greatest glory to Raphael brought the painting "Transfiguration of the Lord", or "Transfiguration of Christ" in a different interpretation. A huge canvas was commissioned for the Catholic Cathedral in Narbonne, by Cardinal Giulio Medici himself in 1517.
Starting to work on the painting, the artist painted in parallel the canvas personally for the cardinal. For his painting, the artist used the well-known biblical story described in the gospels, which tells us that Christ decided to show his disciples his true appearance. As they say in the scripture, Jesus took the three apostles Peter, James, and Jehakim with him, and led them to a high mountain, where he was transformed before them, appearing in a bright image, surrounded by a divine halo. After that, the voice of God was heard, which confirmed to the apostles that Jesus was his true and only son.
After descending from the mountain, the apostles and Jesus meet a crowd of people who accompany the father and his son, possessed by the devil, to turn to Christ with a request for his cure.
And here begins the plot of Raphael’s picture, telling about this moment.
In the foreground are the apostles, who recline in various poses, awaiting the coming of Christ. Jesus himself hovers in a circle of light above the rest of the people, he is weightless and beautiful. People stretch out their hands to him, and the old man and the boy froze in anticipation of healing. The artist also portrayed a kneeling woman who, together with everyone, expects a miracle. All these people point to Christ, their faces are full of trembling excitement. He comes and heals the child, driving away the evil spirit.
The upper part of the picture is illuminated by the divine light emanating from Christ, the lower part is darkened.
According to reports, the artist himself painted the top of the picture, and his students wrote the lower part, as Rafael Santi died tragically in 1520. But his immortal canvas can be considered a role model for contemporary artists.